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     mold made from twig slice filled             beads constructed without a core               

     with metal clay, gypsy set round              using hand made supporting structures

     cubic zirconia, fired, patinated and          pearls added after patination

     gypsy set tanzanite after finishing                                

              

      constructed lentil beads drilled to            metalclay and enamel mixed for the bail

      overlap and nestle, fired with enamel       patinated metal clay disk and beads

      in recessed areas, patinated and             strung with laboradrite

      strung with pyrite and laboradrite

            

    mold made from twig elbow filled with        individual princess settings filed and

    metalclay, gypsy set round czs, prong         attached before firing. fine silver

    set marquise, mesh inserted and cold        satin brushed finish

    connected from back with sterling

    rivet.  patinated           

 

 

BronzClay™ two separate firings, inner dome was fired in coconut based activated carbon and the outer ring was fired in coal based. These were two mistakes that ended up as one piece. This is going to be fun.


 

BronzClay™ earrings fired in coal based activated carbon. The patina is right out of the kiln. The raised areas were burnished

 

 

 

 

PMC ring shank was changed to an adjustable one as my dearest friend Magy Caldwell was nearing the end of her life. She was shrinking so quickly the ring would always be too large for her. Unfortunately, Magy passed away the day before the ring was finished. Because of the bypass shank, I can now wear it in her memory.

 

 

 

Love and miss you Magy...

 

upper left:

                "Queen's Ransom" was a 2007 Saul Bell Design Award Competition

                finalist and is the cover of  The Art and Design of Metal Clay 2008

                 calendar published by Holly Gage

 

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